Monday, November 7, 2011

Subaru Impreza Touring Carpeted Custom-Fit Floor Mats - Trunk mat - without water tank in trunk Cargo - Dark Gray (2004 2005 2006 2007 04 05 06 07)


  • The number of pieces and the shape of the mats you will received is illustrated in the main image above.
  • These are AFTERMARKET carpeted floor mats and are available in 9 basic colors.
  • We can not guarantee a color match to your vehicle, but they will compliment your vehicles interior. We'll gladly send carpet samples free of charge to check color match.
  • The Touring carpet used to make these mats is a 22oz tufted nylon carpet with rubber nibbed backing, very similar in feel and texture to most factory installed floor mats.
  • These mats are custom made meaning they are MADE-TO-ORDER specifically for you. Because of this we highly recommend that you contact us with any questions, regarding the fit or color before purchasing.
No one loses their mind instantly â€" Sanity seeps away one drop at a time. Yoshimi simply wanted a better life â€" for both herself and her da! ughter Ikuko. Unfortunately, such wishes may sometimes be hard to come by. The custody battle has grown embittered and hurtful, her new job is less than desirable, and Ikuko’s schoolwork has taken a turn for the worse. But, Yoshimi has something bigger to worry about. Something upstairs. Something cold and dank. Something that should have never been.Dark Water is Japanese horror auteur Hideo Nakata's return to the genre after his Ring cycle made you too scared to watch television ever again. Where Ringu dealt with a supernatural force wreaking revenge via technology, this film is a much more traditional ghost story. After winning a custody battle for her daughter, single mother Yoshimi moves into what she thinks is the perfect apartment with her daughter Hitomi. No sooner have they unpacked than strange things begin to disturb their new life. A water leak from the supposedly abandoned apartment above gets bigger and bigger, a child's satchel reappears! even though Yoshimi throws it away several times, and she is ! haunted by the image of a child wearing a yellow mackintosh who bears a striking resemblance to a young girl who disappeared several years before. The conventional narrative follows Yoshimi's increasingly desperate attempts to discover who or what force is haunting her daughter, but the story's execution is far from predictable. Nakata is the master of understated suspense: there's always a feeling of motiveless malignancy that runs like an undercurrent through his films--far more frightening than out and out shocks--and here he also practically drowns his audience in water imagery. The film is saturated; the relentless dripping in the apartment, the constant rain outside and the deliberately washed-out photography make any color, such as the yellow coat, seem incongruous and unsettling. Nakata also clears the film of unnecessary characters--this is an almost deserted Tokyo--preferring to concentrate the action on Yoshimi's rising hysteria as she struggles to understand what is happ! ening and how to save her daughter. Granted, the special effects are somewhat unconvincing and the ending confused, but even so the result is a stylish and disquieting chiller that will do for bathtubs what his Ring films did for video recorders. --Kristen Bowditch

Saturday, Labor Day weekend, 1951, dawned mild and cloudless over Montauk. Hundreds of passengers tumbled from the Long Island Rail Road’s weekend express train, the Fisherman’s Special, when it pulled in from New York City. The weather only confirmed the postwar optimism of the blue-collar workers who had thronged to this fishing village for a holiday of deep-sea angling.

In America, in 1951, it was easy to believe that anyone could make money and enjoy the good life, and no place suited that mood better than a fishing town. The Montauk fishing business was booming. The dock the arriving anglers swarmed over had been named, without a trace of self-consciousness, Fishangri-la, and the wa! iting fishing boat captains could see no obstacle to a record ! weekend.

Maybe it was naive optimism that propelled Captain Eddie Carroll away from the dock that morning with sixty-two passengers aboard his fishing boat Pelican, some thirty more than safe capacity. He was everyone’s favorite skipper, a handsome World War II veteran with an easy manner, an endless supply of fish and war stories, a sturdy forty-two-foot boat, newly rebuilt engines, and an uncanny ability to find good fishing. In his pocket that day he carried the ring that he would soon slip on the finger of his Swedish bride-to-be.

But Eddie’s luck was about to run out. Even as the Pelican cut its outgoing swath through the sun-spangled Atlantic, a jet-stream trough of Arctic air high overhead, undetected by forecasters, was pressing down on the pool of warm air beneath it like water building behind a dam. The Pelican and forty-five people aboard, including Captain Carroll himself, would never return to shore.

Dark Noon is a suspe! nseful and ultimately heartbreaking sea story. It’s also a journey back to the America of the early 1950s, when a laborer could buy a round-trip train ticket from Queens to Montauk and fish all day with Captain Eddie for $8.00. The Pelican's passengers, like postwar America itself, were blinded by hope. They baited their hooks and waited, wondering what they would find in the deep and shining waters of the Atlantic, unaware of the dark storm gathering overhead.

Tom Clavin was editor of the East Hampton Independent and the Southampton Independent, two of the country’s most award-winning weeklies, for ten years. In addition to fifteen years writing for the New York Times, he has authored numerous articles appearing in such periodicals as Reader's Digest, Golf Magazine, Parade, and Family Circle. Mr. Clavin has written and edited hundreds of pieces on fishing and boating.Angelo Badalamenti a classically-t! rained performer, is best known for his hauntingly atmopsheric! work wi th filmmaker David Lynch. The two worked together on the soundtrack of the director's 1986 masterpiece Blue Velvet and on the features Wild at Heart, Lost Highway and The Straight Story. Perhaps the most famous fruit of their collaboration was the cult hit television series Twin Peaks, for which Badalamenti created one of the most distinctive and evocative theme songs in TV history.

FILM SYNOPSIS: Based on a film by the creators of the Japanese version of 'The Ring' comes this haunting, chilling film about a young mother who goes to extreme lengths to solve a mystery and protect her daughter. Acclaimed director Walter Salles ("Central Station," "The Motorcycle Diaries") helms and Academy Award®-winner Jennifer Connelly stars in DARK WATER, a psychological thriller featuring a stellar cast, including Academy Award®-nominees John C. Reilly, Tim Roth, and Pete Postlethwaite, as well as Dougray Scott and newcomer Ariel Gade. Based on a film by the creators of the Japanese ! version of "The Ring" comes this haunting, chilling film about a young mother who goes to extreme lengths to solve a mystery and protect her daughter. Dahlia Williams (JENNIFER CONNELLY) is starting a new life; newly separated with a new job and a new apartment, she's determined to put her relationship with her estranged husband behind her and devote herself to raising her daughter, Ceci. But when the strained separation disintegrates into a bitter custody battle, her situation takes a turn for the worse. Her new apartment - dilapidated, cramped, and worn - seems to take on a life of its own. Mysterious noises, persistent leaks of dark water, and strange happenings cause her imagination to run wild, sending her on a puzzling and mystifying pursuit to find out who is behind the endless mind games. As Dahlia frantically searches for the links between the riddles the dark water seems to close around her. But one thing trumps all others in Dahlia's world: no matter what it is t! hat's out there, she'll stop at nothing to find it.

Stomp® ! on the L aunch Pad and a blast of air propels the Stomp Rocket® over 100 feet in the air! The kit comes with 4 glow in the dark foam rockets.  The Junior is designed for ages 3 and up.

Kids can get rid of some excess energy with this air-powered outdoor rocket toy. No battery or fuel is needed to get the rockets airborne--just some old-fashioned stomping power. Set up the simple launch stand in a clear outdoor area, connect the 38-inch-long vinyl air hose and blast pad, load one of the 9-inch yellow foam rockets--and watch out. Our 5-year-old assistant reviewer really got a kick out of jumping on the purple blast-off pad and watching her rockets soar 50 feet or more, though she had to fight the adults for a turn. If the three rockets included with the kit aren't enough fun, you can order stomp parachutes and spin copters from the manufacturer. --Marianne PainterMaterial type: carpet
Set details: 1 pc cargo - large
Remarks: Trunk mat - without water tank i! n trunk

NOTE: This is a DARK GRAY set. To choose a different color, use the color drop down menu above.
All of our products are custom made meaning they are made-to-order specifically for you. Because of this we highly recommend that you contact us with any questions, regarding fit or color before you place your order.

If you're looking for a very nice but affordable carpeted floor mats designed to fit the exact contours of your vehicle, then our custom-fit aftermarket floor mats are the answer. Even though our mats are similar in shape and feel to the mats that come with your car, from the factory, our colors may not match your vehicles interior exactly. If not sure what color to choose, we'll be glad to send you some color samples, so you get the best match possible.

Your floor mats are hand crafted and made to order after the sale. We'll use patterns specifically designed to fit your vehicle's exact make, model a! nd year, and will ship your mats from our plant within 1-2 ! business days, please allow 6-8 business days for your order to arrive.


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