Big Daddy [VHS]

• Condition: Used - Very Good

BIG DADDY - DVD MovieGosh--kids. You gotta love 'em, right? Well, not necessarily-- particularly if you're Adam Sandler. But Big Daddy is about paternal devotion in its own oblique way. Sandler plays Sonny Koufax, a law-school grad who has been milking an accident settlement to cover his living expenses, while he continues to slack his way through life. But when his girlfriend threatens to dump him, he decides to show her he's serious about their relationship and pretends to adopt a little boy (in fact, his roommate's son from a one-night stand several years earlier, who shows up on their doorstep just after the roommate leaves town on a job). But after taking care of the tyke for a couple of days, Sonny finds that it's a little like feeding that stray dog that followed you home: Before you know it, you've grown attached to the little fella--and then what ar! e you going to do? By turns crude and maudlin, Big Daddy has its share of laughs and will certainly entertain fans who like Adam Sandler best when he plays the case of arrested development with a smart-aleck retort for everything. --Marshall FineStudio: Sony Pictures Home Ent Release Date: 02/15/2011 Run time: 93 minutes Rating: Pg13Gosh--kids. You gotta love 'em, right? Well, not necessarily-- particularly if you're Adam Sandler. But Big Daddy is about paternal devotion in its own oblique way. Sandler plays Sonny Koufax, a law-school grad who has been milking an accident settlement to cover his living expenses, while he continues to slack his way through life. But when his girlfriend threatens to dump him, he decides to show her he's serious about their relationship and pretends to adopt a little boy (in fact, his roommate's son from a one-night stand several years earlier, who shows up on their doorstep just after the roommate leaves town on a job)! . But after taking care of the tyke for a couple of days, Sonn! y finds that it's a little like feeding that stray dog that followed you home: Before you know it, you've grown attached to the little fella--and then what are you going to do? By turns crude and maudlin, Big Daddy has its share of laughs and will certainly entertain fans who like Adam Sandler best when he plays the case of arrested development with a smart-aleck retort for everything. --Marshall FineSANDLER COLLECTION - DVD MovieGuaranteed to work or your money back - PLEASE NOTE ALL MONIES FROM THIS SALE GO TO A 501 (C)3 NO KILL ANIMAL SHELTERGosh--kids. You gotta love 'em, right? Well, not necessarily-- particularly if you're Adam Sandler. But Big Daddy is about paternal devotion in its own oblique way. Sandler plays Sonny Koufax, a law-school grad who has been milking an accident settlement to cover his living expenses, while he continues to slack his way through life. But when his girlfriend threatens to dump him, he decides to show her he's serious about t! heir relationship and pretends to adopt a little boy (in fact, his roommate's son from a one-night stand several years earlier, who shows up on their doorstep just after the roommate leaves town on a job). But after taking care of the tyke for a couple of days, Sonny finds that it's a little like feeding that stray dog that followed you home: Before you know it, you've grown attached to the little fella--and then what are you going to do? By turns crude and maudlin, Big Daddy has its share of laughs and will certainly entertain fans who like Adam Sandler best when he plays the case of arrested development with a smart-aleck retort for everything. --Marshall Fine

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2011 Ed Hardy Body Shots Extreme Black Tingle Bronzer Tanning Lotion 13.5 oz.

• Mega Extreme Black Tingle Formula
• Ultra Dark Silicone Bronzer

Combining the analytical tools of cinema studies with insights from clinical practice focused on eating disorders, Body Shots offers a compelling case for widespread media literacy to combat the effects of the "eating disordered culture" represented in Hollywood productions and popular images of celebrity life.Eight glossy, good-looking young actors, including Sean Patrick Flanery (Powder, Suicide Kings), Jerry O'Connell (Stand by Me, Scream 2), Amanda Peet (One Fine Day), Tara Reid (American Pie, Urban Legend), and Brad Rowe (Billy's Hollywood Screen Kiss). Women in their underwear and short, tight dresses; men in suits. Men's bare buttocks and women's bare breasts (at least in the unrated version). Characters talking earnestly to the audience about blowjobs, d! omination, anal penetration, one-night stands, and the difference between sex and love. Lots and lots of alcohol consumption in a cavernous, neon-lit club. A bloody fistfight. The plot, to the degree there is one, concerns an accusation of rape, which is shown from his-and-her points of view. People similar to these characters probably do exist in real life, but there's no reason to make a movie about them. Everyone involved in making Body Shots should have to do 100 hours of community service to make up for the time they've stolen from viewers' lives. The script and direction are particularly banal and self-important. Vacuous. --Bret FetzerOnce you dare try Body Shots you will experience the hottest and darkest tanning lotion invented by Ed Hardy tanning. Scientifically engineered for instant darkness...See the results for yourself! Sparkling Citrus Fragrance

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Die Hard 2 [VHS]

• TESTED

Bruce Willis returns as the heroic cop who battles not only terrorists, but also an incompetent airport police chief (Dennis Franz), the hard-headed commander (John Amos) of the Army's anti-terrorist squad and a deadly winter snowstorm. The runways are littered with death and destruction, and McClane is in a race against time. His wife (Bonnie Bedelia) is trapped on one of the planes circling overhead, which is desperately low on fuel. It's all-out war, a heart-stopping, jet-propelled journey filled with excitement and terror. Fasten your seat belts!Directed by Renny Harlin, the 1990 sequel, Die Hard 2 (unofficially referred to as Die Harder), doesn't match the level of the original, but it's still an exciting thrill ride with some terrific action sequences. One year after the Nakatomi incident, McClane (Bruce Willis) is awaiting his wife's (Bonnie Bedelia) plane to a! rrive at Dulles Airport when he stumbles onto a plot to paralyze the entire airport, including all the planes trying to land. It's up to McClane to take on the cadre of bad guys despite all the bureaucrats standing in his way, and before the planes run out of fuel and crash to the ground. The cast includes William Sadler as rogue military man Col. Stuart, Dennis Franz as the latest bureaucratic cop to get in McClane's way, Richard Thornburg as the annoying reporter from the original movie, John Amos as a special-forces commander, early-in-their-career John Leguizamo and Robert Patrick as terrorists, and future politician and Law and Order actor Fred Thompson as the head of air traffic control. --David HoriuchiBruce Willis returns as the heroic cop who battles not only terrorists, but also an incompetent airport police chief (Dennis Franz), the hard-headed commander (John Amos) of the Army's anti-terrorist squad and a deadly winter snowstorm. The runways are li! ttered with death and destruction, and McClane is in a race ag! ainst ti me. His wife (Bonnie Bedelia) is trapped on one of the planes circling overhead, which is desperately low on fuel. It's all-out war, a heart-stopping, jet-propelled journey filled with excitement and terror. Fasten your seat belts!Directed by Renny Harlin, the 1990 sequel, Die Hard 2 (unofficially referred to as Die Harder), doesn't match the level of the original, but it's still an exciting thrill ride with some terrific action sequences. One year after the Nakatomi incident, McClane (Willis) is awaiting his wife's (Bedelia) plane to arrive at Dulles Airport when he stumbles onto a plot to paralyze the entire airport, including all the planes trying to land. It's up to McClane to take on the cadre of bad guys despite all the bureaucrats standing in his way, and before the planes run out of fuel and crash to the ground. The cast includes William Sadler as rogue military man Col. Stuart, Dennis Franz as the latest bureaucratic cop to get in McClane's way, Richard Thorn! burg as the annoying reporter from the original movie, John Amos as a special-forces commander, early-in-their-career John Leguizamo and Robert Patrick as terrorists, and future politician and Law and Order actor Fred Thompson as the head of air traffic control. --David HoriuchiDirected by Renny Harlin, the 1990 sequel, Die Hard 2 (unofficially referred to as Die Harder), doesn't match the level of the original, but it's still an exciting thrill ride with some terrific action sequences. One year after the Nakatomi incident, McClane (Bruce Willis) is awaiting his wife's (Bonnie Bedelia) plane to arrive at Dulles Airport when he stumbles onto a plot to paralyze the entire airport, including all the planes trying to land. It's up to McClane to take on the cadre of bad guys despite all the bureaucrats standing in his way, and before the planes run out of fuel and crash to the ground. The cast includes William Sadler as rogue military man Col. Stuart,! Dennis Franz as the latest bureaucratic cop to get in McClane! 's way, Richard Thornburg as the annoying reporter from the original movie, John Amos as a special-forces commander, early-in-their-career John Leguizamo and Robert Patrick as terrorists, and future politician and Law and Order actor Fred Thompson as the head of air traffic control. --David HoriuchiThe third installment of the hugely succesful Die Hard series, reteams Bruce Willis and director John McTiernan in a new action/adventure extravaganza of special effects, unexpected comedy and non-stop thrills.The second sequel to the mold-making action film Die Hard brings Detective John McClane (Bruce Willis) to New York City to face a better villain than in Die Hard 2. Played by Jeremy Irons, he's the brother of the Germanic terrorist-thief Alan Rickman played in the original film. But this bad guy has his sights set higher: on the Federal Reserve's cache of gold. As a distraction, he sets McClane running fool's errands all over New York--and eventually, McC! lane attracts an unintentional partner, a Harlem dry cleaner (Samuel L. Jackson) with a chip on his shoulder. Some great action sequences, though they can't obscure the rather large plot holes in the film's final 45 minutes. --Marshall FineThe second sequel to the mold-making action film Die Hard brings Detective John McClane (Bruce Willis) to New York City to face a better villain than in Die Hard 2. Played by Jeremy Irons, he's the brother of the Germanic terrorist-thief Alan Rickman played in the original film. But this bad guy has his sights set higher: on the Federal Reserve's cache of gold. As a distraction, he sets McClane running fool's errands all over New York--and eventually, McClane attracts an unintentional partner, a Harlem dry cleaner (Samuel L. Jackson) with a chip on his shoulder. Some great action sequences, though they can't obscure the rather large plot holes in the film's final 45 minutes. --Marshall FineBruce Willis returns ! as the heroic cop who battles not only terrorists, but also an! incompe tent airport police chief (Dennis Franz), the hard-headed commander (John Amos) of the Army's anti-terrorist squad and a deadly winter snowstorm. The runways are littered with death and destruction, and McClane is in a race against time. His wife (Bonnie Bedelia) is trapped on one of the planes circling overhead, which is desperately low on fuel. It's all-out war, a heart-stopping, jet-propelled journey filled with excitement and terror. Fasten your seat belts!Directed by Renny Harlin, the 1990 sequel, Die Hard 2 (unofficially referred to as Die Harder), doesn't match the level of the original, but it's still an exciting thrill ride with some terrific action sequences. One year after the Nakatomi incident, McClane (Bruce Willis) is awaiting his wife's (Bonnie Bedelia) plane to arrive at Dulles Airport when he stumbles onto a plot to paralyze the entire airport, including all the planes trying to land. It's up to McClane to take on the cadre of bad guys desp! ite all the bureaucrats standing in his way, and before the planes run out of fuel and crash to the ground. The cast includes William Sadler as rogue military man Col. Stuart, Dennis Franz as the latest bureaucratic cop to get in McClane's way, Richard Thornburg as the annoying reporter from the original movie, John Amos as a special-forces commander, early-in-their-career John Leguizamo and Robert Patrick as terrorists, and future politician and Law and Order actor Fred Thompson as the head of air traffic control. --David HoriuchiJohn McClane takes on an Internet-based terrorist organization who is systematically shutting down the United States.

Twelve years after Die Hard with a Vengeance, the third and previous film in the Die Hard franchise, Live Free or Die Hard finds John McClane (Bruce Willis) a few years older, not any happier, and just as kick-ass as ever. Right after he has a fight with his college-age daughter (Mary Elizabeth ! Winstead), a call comes in to pick up a hacker (Justin Long, a! .k.a. th e "Apple guy") who might help the FBI learn something about a brief security blip in their systems. Now any Die Hard fan knows that this is when the assassins with foreign accents and high-powered weaponry show up, telling McClane that once again he's stumbled into an assignment that's anything but routine. Once that wreckage has cleared, it is revealed that the hacker is only one of many hackers who are being targeted for extermination after they helped set up a "fire sale," a three-pronged cyberattack designed to bring down the entire country by crippling its transportation, finances, and utilities. That plan is now being put into action by a mysterious team (Timothy Olyphant, Deadwood, and Maggie Q, Mission: Impossible 3) that seems to be operating under the government's noses.

Live Free or Die Hard uses some of the cat-and-mouse elements of Die Hard with a Vengeance along with some of the pick-'em-off-one-by-one elements of the ! now-classic original movie. And it's the most consistently enjoyable installment of the franchise since the original, with eye-popping stunts (directed by Len Wiseman of the Underworld franchise), good humor, and Willis's ability to toss off a quip while barely alive. There was some controversy over the film's PG-13 rating--there might be less blood than usual, and McClane's famous tag line is somewhat obscured--but there's still has plenty of action and a high body count. Yippee-ki-ay! --David Horiuchi

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Live Free or Die Hard on Blu-Ray

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Stills from Live Free or Die Hard (click for larger image)

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Bruce Willi stars as New Y! ork City Detective John McClane, newly arrived in Los Angeles to spend the Christmas holiday with his estranged wife (Bonnie Bedelia). But as Mclane waits for his wife's office party to break up, terrorist take control of the building. While the terrorist leader, Hans gruber (Alexander Godunov) round up hostages, McClane slips away unnoticed. Armed with only a service revolver and his cunning, McClane launches his own one-man war. A crackling thriller from beginning to end, Die Hard explodes with heart-stopping suspense.Die Hard is the movie franchise that made a movie star out of TV star Bruce Willis, and created an entire action-movie genre of its own. In the original 1988 film, Willis plays wisecracking New York cop John McClane, who arrives at the Nakatomi Plaza in Los Angeles to meet up with his estranged wife, Holly (Bonny Bedelia), at her office Christmas party. As luck would have it, the company ends up in the middle of a terrorist plot led by Hans Gruber (! Alan Rickman) and his gang of expert killers, and with little ! help com ing from outside, McClane has to pick off his enemies one by one. Thus was born the "Die Hard genre", epitomized by such films as Under Siege (" Die Hard on a ship"), Passenger 57 ("Die Hard on a plane" ), Speed ("Die Hard on a bus"), and Cliffhanger ("Die Hard on a mountain"). But few measure up to the explosive brilliance of Die Hard. Director John McTiernan develops the action at a fast and furious pace, culminating in some fantastic set-pieces on the top of the building, in the elevator shaft, and in the building's outer plaza. Jeb Stuart and Steven E. de Souza's script, based on Roderick Thorp's novel Nothing Lasts Forever, is smart, funny, and full of memorable lines (among them "Welcome to the party, pal!" and of course "Yippee ki-ay, motherf*****"), and the cast is perfection, especially Rickman as the cunningly evil villain, and Willis, whose McClane character--bloodied, beaten, bruis! ed, and barely breathing, as he battles both bad guys and bureaucrats--is someone audiences could genuinely cheer for. --David HoriuchiThe third installment of the hugely succesful Die Hard series, reteams Bruce Willis and director John McTiernan in a new action/adventure extravaganza of special effects, unexpected comedy and non-stop thrills.The second sequel to the mold-making action film Die Hard brings Detective John McClane (Bruce Willis) to New York City to face a better villain than in Die Hard 2. Played by Jeremy Irons, he's the brother of the Germanic terrorist-thief Alan Rickman played in the original film. But this bad guy has his sights set higher: on the Federal Reserve's cache of gold. As a distraction, he sets McClane running fool's errands all over New York--and eventually, McClane attracts an unintentional partner, a Harlem dry cleaner (Samuel L. Jackson) with a chip on his shoulder. Some great action sequences, though they can't obscur! e the rather large plot holes in the film's final 45 minutes. ! --Mar shall FineThe second sequel to the mold-making action film Die Hard brings Detective John McClane (Bruce Willis) to New York City to face a better villain than in Die Hard 2. Played by Jeremy Irons, he's the brother of the Germanic terrorist-thief Alan Rickman played in the original film. But this bad guy has his sights set higher: on the Federal Reserve's cache of gold. As a distraction, he sets McClane running fool's errands all over New York--and eventually, McClane attracts an unintentional partner, a Harlem dry cleaner (Samuel L. Jackson) with a chip on his shoulder. Some great action sequences, though they can't obscure the rather large plot holes in the film's final 45 minutes. --Marshall FineVHS MOVIEDirected by Renny Harlin, the 1990 sequel, Die Hard 2 (unofficially referred to as Die Harder), doesn't match the level of the original, but it's still an exciting thrill ride with some terrific action sequences. One year after the ! Nakatomi incident, McClane (Bruce Willis) is awaiting his wife's (Bonnie Bedelia) plane to arrive at Dulles Airport when he stumbles onto a plot to paralyze the entire airport, including all the planes trying to land. It's up to McClane to take on the cadre of bad guys despite all the bureaucrats standing in his way, and before the planes run out of fuel and crash to the ground. The cast includes William Sadler as rogue military man Col. Stuart, Dennis Franz as the latest bureaucratic cop to get in McClane's way, Richard Thornburg as the annoying reporter from the original movie, John Amos as a special-forces commander, early-in-their-career John Leguizamo and Robert Patrick as terrorists, and future politician and Law and Order actor Fred Thompson as the head of air traffic control. --David Horiuchi

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City of Men

• As Seen on the SUNDANCE CHANNEL From the team behind the Academy Award®-nominated feature CITY OF GOD, including directors Fernando Meirelles (THE CONSTANT GARDNER) and K tia Lund comes the hit Brazilian television series CITY OF MEN, a comedy/drama about two teenage boys growing up in a dangerous Rio de Janeiro slum starring Darlan Cunha and Douglas Silva, featured in the motion picture tha

Paulo Morelli's film is a pacy, bloody thriller that pays warm tribute to a diverse cross-section of American directors including Quentin Tarantino and Michael Bay. Bullets zing across the screen, heavy artillery is deployed at all times, and Morelli makes great use of the twisty favela streets during some frantic chase sequence. Silva and Cunha, who both had roles in CITY OF GOD, carry the picture with impressive ease, and while CITY OF MEN isn't an official sequel to Meirelles's lauded picture, it does! serve as a neat continuation of that film's unshakable portrayal of the violence that has beset so many young lives in the slums of Rio de Janeiro.Action-packed and fueled by Brazilian funk, City of Men returns the makers of City of God to the scene of their first success. In this case, the search for family supersedes the search for identity--not that there isn't a correlation between the two. Though produced by Fernando Meirelles, Paulo Morelli's feature isn't a sequel, but a follow-up to the four-season series of the same name. While Meirelles's movie takes place in Rio de Janeiro's past, Morelli's transpires in the present (not counting flashbacks from the show). Days away from turning 18, boyhood friends Acerola (Douglas Silva) and Laranjinha, a.k.a. Wallace (Darlan Cunha), grew up without fathers. Ace has a wife and child; Wallace has a steady girl. The duo gets along with the gang that rules their labyrinthine hillside neighborhood or favela, bu! t hoodlum life holds little appeal. Ace struggles to raise his! young s on--his security guard father was murdered during a robbery--while Wallace tries to track down the dad he never knew. With Ace's assistance, Wallace solves the mystery of his genealogy, but at great cost to their friendship (and lives). Despite the South American pedigree, City of Men suggests the South Central of Boyz N the Hood more than City of God. It's not that Morelli's kinetic film looks like John Singleton's more classically composed enterprise, but that it deals with similar inner-city concerns. That said, Silva and Cunha are every bit as charismatic as Ice Cube and Cuba Gooding Jr.--if not more so. --Kathleen C. FennessyAs Seen on the SUNDANCE CHANNEL

From the team behind the Academy Award®-nominated feature CITY OF GOD, including directors Fernando Meirelles (THE CONSTANT GARDNER) and Kátia Lund comes the hit Brazilian television series CITY OF MEN, a comedy/drama about two teenage boys growing up in a dangerous Rio de Janeiro slu! m starring Darlan Cunha and Douglas Silva, featured in the motion picture that inspired this series.

The CITY is a shantytown located in one of the many mountains of Rio de Janeiro. The MEN are two 13-year-old kids, Laranjinha and Acerola. This series brilliantly mixes humor and reality to explore life in the "favelas" and in particular the indomitable spirit of two best friends growing up in one of most volatile communities in the world.Brazilian TV series City of Men is a dazzling, propulsive, and fiery exploration of life in a chaotic Rio de Janeiro slum, seen through the eyes of Acerola (Douglas Silva) and Laranjinha (Darlan Cunha). These two boys prove to be amazingly charming tour guides to a world by turns terrifying and exhilarating. Using the jam-packed storytelling that made the movie City of God such a revelation, the first episode alone is a marvel, merging the history of Napoleon with a cutting analysis of drug lords and class structure ! in the poverty-ridden neighborhood. The other three episodes o! f the fi rst series carry on this riveting approach, mingling social observation with rich, compelling characters. From the second series on, the show becomes less overtly political and more about Acerola and Laranjinha's passage from youth to adulthood (embracing, with humor and pathos, the adolescent boys' obsession with sex)--though every episode has some sly or startling observation about race, wealth, and gender. Each series is filmed a year after the previous one, so the boys literally grow before our eyes; it's impossible to watch and not feel deeply involved as Acerola woos a girl named Cristiane and ends up a way-too-young father, or as an innocent prank escalates into a life-and-death struggle. Some episodes teeter on the brink of silliness--one of the last ones has the boys engaging in absurd cross-dressing--but the briskness of the writing and the charisma of Silva and Cunha carry the show through. Add to this the dynamic musical score of Brazilian pop and samba, and you ! have essential viewing. World music has already found popularity in the U.S.; welcome to a masterpiece of world television. --Bret Fetzer

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Zeikos ZE-CVAFC Auto Focus Macro Extension Tubes for Canon

• Photograph Bugs & Flowers
• Auto Focus
• Macro Photography
• Great for Coin & Stamp Collections

Dramatization of the turbulent life of Bob Crane, popular for his role in the television program Hogan's heroes.
Genre: Feature Film-Drama
Rating: R
Release Date: 3-JUL-2007
Media Type: DVDAuto Focus captures the scandalous private life of Bob Crane, star of the German P.O.W. camp sitcom Hogan's Heroes. Greg Kinnear plays the affable comic actor, who nursed an obsession with sex--pornography, strippers, swinging, domination, and especially the videotaping of his own sexual exploits. His behavior led to the downfall of two marriages and enmeshed Crane in a strangely symbiotic relationship with a video equipment salesman named John Carpenter (Willem Dafoe); Carpenter provided the technology, and Crane (through the power of! his fame) provided the girls. Their friendship ultimately wore thin and may have led to Crane's gruesome death. Auto Focus is a lot like an episode of Behind the Music, but with sex in the place of the usual downfall-causing drugs; though elegantly filmed, it doesn't delve too deeply into Crane's joy, and so never gets a genuine feel for his pain either. --Bret FetzerAuto Focus features a dazzling array of self-portraits by seventy-five of the world’s foremost contemporary photographers. Photography writer and curator Susan Bright provides a clear guide through this significant and dynamic genre, showing how issues of identityâ€"whether national, sexual, racial, personal, or artisticâ€"are key to understanding the work of many of today’s leading photographers.

This lavishly illustrated, accessible survey is organized into five thematic chapters: diaristic and autobiographical images; pictures of the body; the use of masks and m! asquerade; the return to studio portraiture and the photograph! ic album ; and performance, both public and private. An informative illustrated introduction explains the history of the photographic self-portrait from the 1840s to the late twentieth century, providing an invaluable context for the recent surge in artists’ images of themselves.

From intimate images of introspection and those that consciously challenge notions of ethnicity and sexuality to dramatic, stylized photographs of dreamlike scenarios, Auto Focus shows how one of the longest-established artistic genres continues to fascinate artists today.The national bestselling author of Zodiac and Zodiac Umasked "will keep readers turning the pages" (Detroit Free Press) with the unsolved murder of Bob Crane, star of TV's "Hogan's Heroes." Seven years after the show's cancellation, Crane was found strangled and bludgeoned to death, his nude corpse surrounded by pornographic snapshots of himself with numerous women, homemade videotapes of the actor's S&M orgies! -and few clues to the killer's identity.Auto Focus captures the scandalous private life of Bob Crane, star of the German P.O.W. camp sitcom Hogan's Heroes. Greg Kinnear plays the affable comic actor, who nursed an obsession with sex--pornography, strippers, swinging, domination, and especially the videotaping of his own sexual exploits. His behavior led to the downfall of two marriages and enmeshed Crane in a strangely symbiotic relationship with a video equipment salesman named John Carpenter (Willem Dafoe); Carpenter provided the technology, and Crane (through the power of his fame) provided the girls. Their friendship ultimately wore thin and may have led to Crane's gruesome death. Auto Focus is a lot like an episode of Behind the Music, but with sex in the place of the usual downfall-causing drugs; though elegantly filmed, it doesn't delve too deeply into Crane's joy, and so never gets a genuine feel for his pain either. --Bret! FetzerThe Zeikos ZE-CVAFC Auto Focus Macro Extension Tub! es are p erfect for taking photos of flowers, bugs, coins, and any other close-up objects that you want. 3 tubes are provided (12mm, 20mm & 36mm). They can be used individually or in combination to obtain the desired effect. they are compatible with Canon DSLR's or Film cameras.

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Thor (Two-Disc Blu-ray/DVD Combo + Digital Copy)

• Thor Blueray Used Movie

Raised by her father (Eric Bana), an ex-CIA agent, in the wilds of Finland, Hanna's upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one. Sent into the world by her father on a mission, Hanna journeys stealthily across Europe, eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Cate Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence.Hanna has the plot of a Hollywood action blockbuster but the style of a European art movie--and this unholy hybrid is fascinating to watch. Hanna (Saoirse Ronan, The Lovely Bones) has been raised by her father (Eric Bana, Munich), an ex-covert agent, for one purpose: to murder the American agent, Marissa Wiegler (Cate Blanchett), ! who murdered Hanna's mother. Hanna thinks she succeeds and escapes, but she's actually being followed by Wiegler, who will go to any lengths to exterminate the girl. Hanna could have been little more than a tween reboot of La Femme Nikita, but in the hands of director Joe Wright (Atonement, Pride & Prejudice) the movie spends as much time on Hanna's budding relationship with a girl on holiday in Morocco as it does on Hanna's capacity to kill. Even the action scenes have atypical rhythms (and one violent sequence occurs in a long, sustained shot that will make film geeks squeal with glee). Hanna is visually sumptuous, emotionally delicate, and completely unlike any other action flick you'll see. The ending goes flat as disappointingly banal plot mechanics take hold, but up until then, Hanna combines genuine thrills, unexpected complexity of character, and an unusual electronica soundtrack into an enthralling film. --Bret FetzerRaised by her father (Eric Bana), an ex-CIA agent, in the wil! ds of Fi nland, Hanna's upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one. Sent into the world by her father on a mission, Hanna journeys stealthily across Europe, eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Cate Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence.Hanna has the plot of a Hollywood action blockbuster but the style of a European art movie--and this unholy hybrid is fascinating to watch. Hanna (Saoirse Ronan, The Lovely Bones) has been raised by her father (Eric Bana, Munich), an ex-covert agent, for one purpose: to murder the American agent, Marissa Wiegler (Cate Blanchett), who murdered Hanna's mother. Hanna thinks she succeeds and escapes, but she's actually being followed by Wiegler, who will go to any lengths to exterminate the girl. Hanna could have been little more than a tween reboot of La Femme Nikita, but in the hands of director Joe Wright (Atonement, Pride & Prejudice) the movie spends as much time on Hanna's budding relationship with a girl on holiday in Morocco as it does on Hanna's capacity to kill. Even the action scenes have atypical rhythms (and one violent sequence occurs in a long, sustained shot that will make film geeks squeal with glee). Hanna is visually sumptuous, emotionally delicate, and completely unlike any other action flick you'll see. The ending goes flat as disappointingly banal plot mechanics take hold, but up until then, Hanna combines genuine thrills, unexpected complexity of character, and an unusual electronica soundtrack into an enthralling film. --Bret FetzerX-Men: First Class is the thrilling, eye-opening chapter you’ve been waiting for...Witness the beginning of the X-Men Universe. Before Charles Xavier and Erik Lensherr took t! he names Professor X and Magneto, they were two young men disc! overing their superhuman powers for the first time, working together in a desperate attempt to stop the Hellfire Club and a global nuclear war.When Bryan Singer brought Marvel's X-Men to the big screen, Magneto and Professor X were elder statesmen, but Matthew Vaughn (Kick-Ass) travels back in time to present an origin story--and an alternate version of history. While Charles Xavier (Laurence Belcher) grows up privileged in New York, Erik Lehnsherr (Bill Milner) grows up underprivileged in Poland. As children, the mind-reading Charles finds a friend in the shape-shifting Raven (Jennifer Lawrence) and Erik finds an enemy in Sebastian Shaw (Kevin Bacon), an energy-absorbing Nazi scientist who treats the metal-bending lad like a lab rat. By 1962, Charles (James McAvoy) has become a swaggering genetics professor and Erik (Michael Fassbender, McAvoy's Band of Brothers costar) has become a brooding agent of revenge. CIA agent Moira (Rose Byrne) brings the two together! to work for Division X. With the help of MIB (Oliver Platt) and Hank (A Single Man's Nicholas Hoult), they seek out other mutants, while fending off Shaw and Emma Frost (Mad Men's January Jones), who try to recruit them for more nefarious ends, leading to a showdown in Cuba between the United States and the Soviet Union, the good and bad mutants, and Charles and Erik, whose goals have begun to diverge. Throughout, Vaughn crisscrosses the globe, piles on the visual effects, and juices the action with a rousing score, but it's the actors who make the biggest impression as McAvoy and Fassbender prove themselves worthy successors to Patrick Stewart and Ian McKellen. The movie comes alive whenever they take center stage, and dies a little when they don't. For the most part, though, Vaughn does right by playing up the James Bond parallels and acknowledging the debt to producer Bryan Singer through a couple of clever cameos. --Kathleen C. FennessyThe epic adv! enture Thor spans the Marvel universe from present-da! y Earth to the cosmic realm of Asgard. At the center of the story is The Mighty Thor, a powerful but arrogant warrior whose reckless actions reignite an ancient war. As a result, Thor is banished to Earth where he is forced to live among humans. When the most dangerous villain of his world sends its darkest forces to invade Earth, Thor learns what it takes to be a true hero.Of all the folks in long underwear to be tapped for superhero films, Thor would seem to be the most problematic to properly pull off. (Hypothetical Hollywood conversation: "A guy in a tricked-out, easily merchandisable metal suit? Great! An Asgardian God of Thunder who says stuff like thee and thou? Um, is Moon Knight available?") Thankfully, the resulting film does its source material rather proud, via a committed cast and an approach that doesn't shy away from the over-the-top superheroics. When you're dealing with a flying guy wielding a huge hammer, gritty realism can be overrated, really. Blend! ing elements from the celebrated comic arcs by Walter Simonson and J. Michael Straczynski, the story follows the headstrong Thunder God (Chris Hemsworth) as he is banished to Earth and stripped of his powers by his father Odin (Anthony Hopkins) after inadvertently starting a war with a planet of ticked-off Frost Giants. As his traitorous brother Loki (the terrific Tom Hiddleston) schemes in the wings, Thor must redeem himself and save the universe, with the aid of a beautiful scientist (Natalie Portman). Although director Kenneth Branagh certainly doesn't skimp on the in-jokes and fan-pleasing continuity references (be prepared to stick around after the credits, Marvel fans), his film distinguishes itself by adopting a larger-than-life cosmic Shakespearean air that sets itself apart from both the cerebral, grounded style made fashionable by The Dark Knight and the loose-limbed Rat Packish vibe of the Iron Man series. Glorying in the absolute unreality of its p! remise, Branagh's film is a swooping, Jack Kirby-inspired saga! that br ings the big-budget grins on a consistent basis, as well as tying in with the superhero battle royale The Avengers. --Andrew Wright

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Chocolate

• Prachya Pinkaew, director of Ong Bak: The Thai Warrior, returns with Chocolate, an explosive new martial arts masterpiece starring his new prot g , Jija Yanin Vismistananda, who spent five years training for the role. Jija plays Zen, a young autistic girl who grows up next to a Muay Thai boxing studio and is raised on a steady diet of chocolate and marathon viewings of Tony Jaa and Bruce Lee films

Studio: Urban Vision Release Date: 11/28/2006AZUMI 2 - DVD MovieAzumi 2003 Directed by Ryuhei Kitamura of Versus. Azumi is an action packed movie based on a highly popular manga serial by Yu Koyama. Like his stylish and gory previous film it wastes no time in getting down to business. The movies gets rolling as soon as the band of ten Samurai in training including Azumi (Aya Ueto) the only swordswoman among them is subjected to its final test. Once again Kitamura demonstrates his awesome s! kills into camera movements and fights choreography. The unlimited supply of stylistic action scenses and wild visual effects are enhanced by his leaping and pouncing camer. wirework and CGI special effects. At one time the kick ass heroine (in a cool skin tight period clothing takes on as many as 200 enemies.

Taking place shortly after the end of the first film, Azumi 2 features the same actress, Aya Ueto, in the title role, this time going up against a corrupt government official (Mikijiro Hira) and his team of trained ninja assassins.Azumi 2003 Directed by Ryuhei Kitamura of Versus. Azumi is an action packed movie based on a highly popular manga serial by Yu Koyama. Like his stylish and gory previous film it wastes no time in getting down to business. The movies gets rolling as soon as the band of ten Samurai in training including Azumi (Aya Ueto) the only swordswoman among them is subjected to its final test. Once again Kitamura demonstrates his awesome skills into ! camera movements and fights choreography. The unlimited supply! of styl istic action scenses and wild visual effects are enhanced by his leaping and pouncing camer. wirework and CGI special effects. At one time the kick ass heroine (in a cool skin tight period clothing takes on as many as 200 enemies.A young girl learns to fight from watching TV and the fighters from the boxing school next door. When she finds a list of debtors in her ailing mother s diary, she sets upon a violent quest to collect payment for medical expenses. Her quest is a dangerous one that ultimately leads her to her father, a gang member of the Yakuza.

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Deuces Wild : Widescreen Edition

• Widescreen

Take West Side Story, remove the music, add excessive profanity and violence, and you'll get Deuces Wild. It's an overripe melodrama in which rival street gangs--in this case Deuces vs. Vipers in 1958 Brooklyn--inevitably clash in a deadly rumble, preceded by shameless scenery-chewing from nearly everyone involved. Stephen Dorff plays the head Deuce, agonizing over his older brother's drug overdose and leading a cast of rising stars and familiar faces including Brad Renfro as Dorff's hot-tempered kid brother, Norman Reedus as the vicious lead Viper, Fairuza Balk as Renfro's no-nonsense girlfriend, and Matt Dillon (uncredited) as the kingpin who introduces heroin to Dorff's drug-free turf. Balthazar Getty, Frankie Muniz, and James Franco are also in the cast, suggesting that director Scott Kalvert was hoping for an unforgettable ensemble. What he got instead was a stal! e story crowded with percolating posers, recommended only for those who've never seen the 1979 street-gang classic The Warriors. --Jeff ShannonDVD

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